This day I was looking for cheap film to DIY redscale. Camera, Fujifilm Superia X-TRA 400, Kodak Portra 400, Kodak UltraMax 400, Nikon F70, Olympus OM10, Pentax Espio 70s, Photo Series, Season in Review When the world stood still // May 17, 2020 July 5, 2020 by liin nur Leave a Comment on When the world stood still // Post was not sent - check your email addresses! Kodak Film Lightroom Presets Theerwinm. I found this wasn’t as noticeable in most of the shots, except when it came to back-lighting. I still try the pro film occasionally, but for regular use I’ll use Gold 200 or Fujicolor 200. This happens most readily when the film is under-exposed, so make sure to meter correctly or err on the side of (very slight) over-exposure. Below you will find MY experience with these films, and I would love to hear about yours in the comments. Nikon fm w 50mm f/1.8 Nolan Maurer. My name is James, and I’m a film snob. Join up and chat. This site uses cookies to ensure we give you the best experience on our website. Nostalgia is a major goal of the aesthetic of my personal and client work. In this video we will compare the very popular "Convenience Store" film stocks, Kodak Ultramax 400 and Fujifilm Superia 400. Probably not. In addition to his work here, he’s also the founder of the online camera shop Fstopcameras.com. A quick recap on what that means – the film’s Box Speed or recommended speed is 400 ISO. For shots around town, of the family, or everyday life, Kodak Ultramax is hard to beat. Thank you for helping me confirm my suspicions about superia 400, I understand it’s a little bit more light hungry than most it’s range, but I really dislike that green cast but it gives certain tones like you mentioned. VISION3 500T was baked from the ground up to be a flexible, hybrid process motion picture film capable of handling extreme punishment by filmmakers and Kodak Portra 400 and 160 both have VISION3 DNA as part of their makeup. For the most part, Ultramax produces smooth and organic images with very fine grain. Do you then pull the film one stop when processing, or is it simply a one-stop overexposure? Great article, and as a man who shoots film and rides road bikes I love the header image. In photographic terms, this infusion of VISI… I oftentimes like the pink tones added especially to their cheeks with Superia, but, in the image where my son is inside, you can see the pink skin looks more unnatural than the even tones in Ultramax. I’m looking for a cheap all-rounder and I’ve not been impressed with the budget Fuji options so far. Yes, these films are grainier than other 400 films (read: pro films) like Kodak Portra 400 or Fuji Pro 400h. The most noticeable difference between Fuji Superia and Kodak Ultramax is the in the orange channel. Probably not. Would I use it for a paid commercial real-estate gig? film stock comparison between Kodak Tri-X, Kodak TMax 400, and Ilford HP5+ 400, B&W Film Stock Comparisons: Kodak Tri-X vs Ilford HP5 vs Kodak TMax, How To Develop Black and White Film at Home, Olympus Stylus Epic Point & Shoot Film Camera Review. I have noticed differences between them because I shoot with them so often, but I was curious to use Fuji Superia and Kodak Ultramax side-by-side to note the direct comparisons. Now I have to buy some and try it. I bought this film mainly because the price is cheaper and I wanted to try expired films and see what the film can do. The main feature dividing these two films is whether you prefer the "Kodak look" or the "Fuji look". Enter the username or e-mail you used in your profile. Fujifilm’s consumer-grade film Superia 400, it’s cheaper by half than many professional films. Everyone raves about Portra for all around use. … You said exactly what I’ve been thinking for many, many years. Ultramax 400 is truly an underrated film stock. Ektar is great for landscapes but not for much more than that. Used to be an absolute film snob to the point it would almost bleed me dry in the days. Kodak Portra 400 Vs Kodak Ultramax 400 Fujicolor C200 Vs Kodak Colorplus 200 Film Showdown Youtube . Plus If I’m going to get really into a film I don’t want it to be discontinued with little notice (again, looking at you Fujifilm). In the right light, Ultramax certainly does an adequate impression of the famous portrait film when the sun is up and we meter properly. Find her other articles here, such as How To Develop Black and White Film at Home and Olympus Stylus Epic Point & Shoot Film Camera Review. I’m all about the consumer films. I’d be more likely to use a medium format camera loaded with Portra, and since Ultramax doesn’t come in medium format, well, that’s that. KODAK ULTRA MAX 400 Film KODAK ULTRA MAX 400 Film is a worry-free, easy-to-use high speed film designed for snapshooters. I realize I haven’t touched on grain yet. Ektar and Provia feel like well prepared cuisine, while Ultramax, daily meal maybe. One year later, Kodak Ultramax 400 is effectively the only color film I shoot. I’ve shot dogs in full gallop, and horses refusing to do so. During the past year I’ve used it at night and by a blisteringly sunlit pool; on a foggy sail across Vineyard Sound and at a kid’s indoor birthday party. But there are plenty of reasons to shoot Ultramax. I shoot Kodak Gold 200 at 100 all the time and it looks great. I am hoping 35mm Kodak Portra 400 gives me more chance to shoot colour film when there is not enough light for Portra 160. Mike wasn’t wrong. To get the more saturated colours from Portra 400, I’ve always found I … As perhaps could have been expected, I didn’t prefer one film over the rest in all contexts. Where Kodak Ektar famously ruins lighter skin-tones with garish oranges and reds, Kodak Ultramax 400 renders beautifully when exposed properly. Bit late to the party but Lomo color 800 is made by kodak. And I’ve similarly been going back and forth between Portra 400 and Ektar 100. But the last reason to shoot Ultramax, and the most important reason of all, is that it makes making gorgeous photos effortless. I even use them for client work because I have so much love for their punchy colors, high contrast, chunky grain, and overall nostalgic feel. Amy is a regular contributor here at Shoot It With Film, and you can check out her other articles here, including B&W Film Stock Comparison and Scanning Film Negatives with a DSLR! Only 5 left in stock. (Availability info from B&H). My style of color film shooting is bright and colorful (which is maybe ironic because I also LOVE shooting black and white), and these consumer films lend themselves perfectly to this style. We are a supportive and encouraging community for film photographers to learn, share, & grow. 21. I have always loved UltraMax 400 since I started shooting film again. Im definitely a fan of Ektar as well but as much of my shooting is done for camera testing, the economy makes Ultramax a winner. This post may contain affiliate links. I admit I grab for Superia more often because of its punchy colors and “off” tones, but Ultramax’s even tones and truer-to-life coloring (this might be debatable, but I’m going to go ahead and say it) have its own appeal, time, and place in my film repertoire. Great shots. Overall, I preferred Portra 800 over 160 and 400 in most situations with a strict exception to portraits. Kodak Ultramax 400. Ultramax 400 is Kodak’s consumer grade ISO 400 color negative film. I’ve not gotten on with this film as well. I lean more towards the warm color spectrum and it just does not get there for me. That’s why I read your article. It’s developed in standard C-41 chemistry, meaning it can be developed anywhere that film is processed. Ultramax however, I just don’t care (because it’s cheap, lol), I always load it on a point and shoot camera, and shoot anything interesting. Provia does a great job for landscaping, with good light condition, but when I used it in a ralatively low light condition, it came with a weird green and blue tone. Sorry, your blog cannot share posts by email. I ... As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I don’t really get on with the higher grain and reduced sense of sharpness I’ve had out of those sorts of films when I’ve shot them in the past. Grace Rose. I am going to link to it in my blog. Gonna get meself an ultramax 400 asap. I metered for shadows, and the highlights are less blown out on Fuji Superia X-TRA than they are on Kodak Ultramax 400 indicating that Superia XTRA liked having that extra light, while Ultramax did not. Kodak Ultramax 400 Review Carlos Garcia. Copyright © 2014-2020, F Stop Cameras LLC, All Rights Reserved. I wanted to compare Fuji Superia and Kodak Ultramax after following my typical steps with my own developing, scanning, and light editing processes. Kodak Ultramax 400 Overview: Kodak Ultramax 400, also known as Kodak Max 400, is a versatile consumer film for 35mm cameras with a decent amount of saturation and grain. I followed the format of my last film stock comparison between Kodak Tri-X, Kodak TMax 400, and Ilford HP5+ 400 by taking some shots outside, inside, with studio lighting, and of landscapes. I think it boils down to the fact that I love photography precisely because it’s capturing the memories that would all-too-quickly fade without them. And while Kodak Ultramax may fall a bit short of Shakespearian mastery, it comes pretty close. … I’m not a big “smooth and sharp” person as I feel the grittiness of film gives a unique character, story, and nostalgia. Thanks for the “did you know?” moment on the origin of “jack of all trades”. September 30, 2014 July 22, 2016. Notice the trees, with the trunks of trees on Superia looking greener and Ultramax being redder, meaning Ultramax has greater distinction between the leaves and the trunk/branches than Superia has. Kodak still sells Ultramax 400, although it’s not the same film as Kodacolor VR-G 400… As the name implies, it’s intended for portrait photography, but can be used for many other types of photography. £8.99 delivery. The term quickly came to stand for a person who engaged superficially in a number of endeavors, but failed to achieve true mastery of any single skill. Ultramax 400 is Kodak’s do-it-all consumer-grade film. It could be. Liked the article – no seo blah blah. The main feature dividing these two films is whether you prefer the "Kodak look" or the "Fuji look". If overexposed, expect to see a yellow color cast, especially in skin tones. Is Kodak Ultramax as capable of making the stunning and vivid landscapes we see from Ektar and Provia? I frequently use my chemicals until I’ve developed around 18 rolls. Just look at how the film images look! The green tint of Superia and red tint in Ultramax also play out in their renderings of the blue channel. Nikon fm w 50mm f/1.8 Nolan Maurer. Kodak Portra 400 120 Roll Film Professional 5 Pack. The preference for one vs the other is often a personal one, but sometimes situational. Personally, I love both Ektar and Provia very much just as you were, but while using these films, I felt a lot of constrants. Kodak has sold Ultramax 400 under many different names, beginning in 1987 with Kodacolor VR-G 400, rebranded Gold 400 one year later, called simply GC at one point, and finally, in 1997, Kodak settled on Ultramax 400. I think I just prefer the ultra max colors and warmer tones. Ultimately, I love consumer film and always encourage people to shoot it, especially if they’re newer to film. When I run out of film midday in Boston’s North End, I can walk into the drug store on Hanover Street and buy Kodak Ultramax 400. Hasselblad 501C + Zeiss Distagon 60mm f3.5 CF + 120 Kodak Portra 400 film portrait Kodak Ektar vs Kodak Portra Skin Tones and Saturation. The best way to learn about film is to shoot a lot of it, and the price point of both Fuji Superia and Kodak Ultramax makes it much more feasible to shoot and learn than a pricier pro film. I’ve also wished that Kodak would take Ultramax 400 and create an Ultramax 100 version with the same color rendition of the 400 … But remember that this is a 400 speed film; we should expect that it’s not going to be as smooth as Provia or Ektar. Both are available at CVS/Walgreens/Rite aid, occasionally in overpriced rolls, or even higher … Kodak still sells Ultramax 400, although it’s not the same film as Kodacolor VR-G 400… Welcome to Shoot It With Film! (i.e. For Fuji, it looks likes the only choice you have is Superia 400. Kodak’s Portra 400 is arguably the most popular color negative film stock in the world right now and for good reason. James Tocchio is a writer and photographer, and the founder of Casual Photophile. Possibly. Kodak Portra 800 is quite possibly my favourite colour negative film. Then, I use them for film I have souped or sometimes to cross-process. This helps Casual Photophile produce the content we produce. Thus, the Kodak Portra 160 can be excellently scanned. All told, we took 3 different sets of portraits (though only posting one) and in all 3, Portra 800 was far too saturated. I agree that consumer films are great. So, my question is, which of the two main consumer grade 400 asa films - Kodak Ultramax & Fuji Superia - would you recommend if you couldn’t have Portra. If you click on a link and make a purchase, Shoot It With Film may receive a small commission at no additional cost to you. Back in 1949, Kodak produced a colour negative film … To start, it’s cheaper by half than many professional films, and while it’s true that it’s more expensive than Fuji’s consumer-grade film, I think Ultramax creates better and more predictable images. To a level that I, personally, looked jaundiced. But I digress. I am trying to find something similar to these Kodak films that is available in bulk to roll myself. Portra 160: Portra 400: Portra 800: And for the grand finale, ultra film geek experience…we shot a few other exposures too, ranging from 3 under to 4 over, for Fuji 400H, Portra 160, Portra 400 and Portra 800. Thank you for this film comparison. In all of these situations and many more, Ultramax has made exceptional photos, its potential only limited by my ability. I just want to say that I absolutely love your writing, and I found the William Shakespeare bit amusing. Its color rendition is true to life, less punchy and saturated than Fujifilm’s consumer-grade film Superia 400. My first roll of expired 2009 Kodak Ultramax 400 was taken using my Diana Mini camera. CineStill 800T is supposed to be pushable like Kodak … I admit that the chemicals weren’t at their freshest (they had been used to develop 16 rolls beforehand), but these results were extremely consistent with results I get when using fresh chemicals. Perhaps it’s because I prefer slower films for everyday shooting, as it’s easier to get bokeh when you move in close. While Portra and Provia may be more desirable, their superior performance means nothing if I can’t buy it anywhere. Blues and yellows and greens are perfectly balanced, while reds are nicely restrained, which is a blessing since many consumer-grade films seem to oversaturate in the reds. This is why I edited/adjusted the photos as I normally would. I pulled both rolls into Lightroom to make adjustments to temp and tint, and a little exposure adjustments as I normally would. Kodak Portra is often the benchmark to aspire to for both film and digital cameras when it comes to natural skin tones. (I LOVE grain). Challenges: The camera was bought in Germany and this was my first film with it - I was not sure if that camera is OK or it … Ultramax 400 is a great emulsion. Kodak Portra 400 and CineStill 800T or Kodak VISION3 500T 5219– the film that provides the base for CineStill 800T – are modern photographic films designed to be used as part of a digital workflow. When the CP crew and I chose our desert island film (the film that we’d each shoot for the rest of our lives if we could only choose one) I picked Ektar, a high-saturation color film from Kodak’s fine Professional line. Been meaning to pick up some rolls of this to try. Ektar is good but the red base is its downfall…an Ultramax 100 would be perfect. Hi there, it is a good article, I like it. (As a reminder, I metered once at 400 ISO and set both of my cameras to the same settings.). Portra 400 was introduced by Kodak in 1998, and was redesigned in 2006 and again in 2010. Great article. A direct alternative to Fujicolor Superia 400 and at a similar price point. And while when exposed properly the film’s grain is never overbearing, in certain instances it can become especially pronounced. ULTRA MAX 400 Film gives you the flexibility you need to take consistently better pictures in more picture taking situations—better low-light picture quality with fewer underexposures, better results with zoom lenses, greater flash range, better "stop … I have to say that I’m leaning toward Portra 400 … Over-exposing Ultramax is just fine, except when doing portraiture. The shot of my son on our back stoop showed his skin to be a little muddy, and I think it could have benefited from a little more exposure to light. 5.0 out of 5 stars 1. Hold on tight if you want to know how because this might get a bit meandering. Thanks for the great article. The less saturated Portra colours can … From this set of scans, Ultramax appears to have a little less grain (especially in the highlights), but then again I often expose Superia more than I did here, which results in less noticeable grain. rating 400 film at 200 = 2x exposure time, all else equal) I also find Superia at box speed results in pink skin tones. I’ve successfully zipped it through the autofocus speed machine that is Nikon’s F4, and painstakingly ratcheted it across the film gate of an old-as-dirt Contax. History shows that Billy boy proved Mr. Greene wrong by producing an unmatched catalog of seminal English literature. The difference between Fuji Superia and Kodak Ultramax is minor in the grand scheme of things. There are quite a few labs that process locally, but not so local that you won’t have to mail them away. Grace Rose. Many thanks for your support.]. £15.21 £ 15. This film has ISO400 and is a color negative film. Ektar has great color performance, but for Asians, their skin color would be too satuated.

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